Ron Matus: … One day, the band meekly begins what should be a raging funk jam, Jungle Boogie. Mr. T tells the baritone sax player, “You got to be angry.” He scrunches his face in mock fury as he bobs to the beat.
“Angry at somebody?” Mr. T shouts over the music. The boy laughs and shakes his head.
“Angry at your mom?” Another shake.
“Angry at Nazis?”
This time the boy nods and dives into the riff.
The kids still talk about the time, about a month ago, when they were working on Come Thou Fount of Every Blessing. It’s a tough piece for middle schoolers. Slow. Emotional. Mr. T told them some listeners would be moved because they would associate their faith with the music. Others would be transfixed because it’s so lyrical and lush.
But the audience won’t feel anything if the musicians don’t, he said.
Feel it. Emote it.
Finally, after days and days of practice, they rolled through the whole thing, from beginning to end. And they nailed it.
It was so good, Mr. T held the last note for an extra few seconds before signaling the band to stop. There was silence as he lowered his baton and tapped his fist against his chest.
As the kids looked on, stunned, tears ran down Mr. T’s face.